“Dibujes” (drawings)
seems a result of the ghost of typography, as if to some “drawings” it had mistaken something by error, but no, “Dibujes” is a conjugated Spanish verb, at the same time substantive, a verb therefore become in a thing; upset in something.
A two dimensional affair in any way, I expect there to help to inhabit the walls of the world. To try even flooding them. With that word that takes that road double to half verb and half substantive. Sing to the desire and fear that are unusually mixed ( as the verb and noun) to rotate in the odd areas of drawing. As if “Dibujes” as one thing already achieved both a council, which if they said “when Dibujes…” in order.
Well we know that nothing is more accurate than a drawing (which is what is always is) and nothing is more desired that his infinite respect for the time who seeing at is time see in minimum instant, and a fleeting breath of the sight, captivates, he assumes, and he was, delighted and one him builds, it builds himself as existence, but such joy that exist for most people, as for seeing it, it vanishes and overcomes in fear, as for make it, since draw to draw is for that the most of the people a very frighteningmatter, then, that loving all at drawing, many believe hate it and sayingthat many do not need all of them crave in their particular secret.
It is so much the difference among the desire to see it (the drawing) and the terrible fear of doing it, that which one would like to be tempted to image that in that two subjective flowing of desire, coexisting with the fear, sub- lies two distinct genetic roots, as if as example we could assume that by avatars pro- creation, the heirs of the inventor of the drawing mixed it with some archaic human and adibujistica, so that desire and fear are nested in mind that, overcame modern and born there a view that loves and fears the drawing at once, that means he sees the drawing he both sub dues on it and fears as the most recondite force and difficult at all. Well unlike the drawing, everything else becomes predictable or a least the predictive intention. Only him stays in the absolute darkness, in the boundary of the magic that rides naked a with out bestial rules and root of the same ethic, because is joy done for the human, that is the act of me awaiting of the your, of the grope, on the other. Me and other together in the doodle of a line the charge emotions and ideas on the most insipid and prodigal scenery, more humble an promising than is none other than an area which and concept and spirit are on line and the entire line is subjective universe. Dibujes is therefore a council (advise) a “hopeful drawings” and both one thing to differentiates the walls of the world.
The lines in this early Dibujes were place by hand, and the colour was place by the computer in a recent alchemy that waves the oldest and most modern.
